Classic Rock News

The relationship between co-founding Who members Roger Daltrey and Pete Townshend has historically been quite contentious at times, although the two seemed to have developed a close bond during the latter years of the group’s career.

That being said, Daltrey tells Forbes that he and Townshend don’t really socialize when they’re not touring or recording with The Who.

“Our relationship is a working one, and that’s about as far as it goes,” Roger reveals. “But when we get on stage, there’s a chemistry that’s created. When we’re playing well, it starts to kick in properly. It’s still as wonderful as ever.”

He adds, “We never really had a strong relationship off of the stage, though. It’s as simple as that.”

Also in the interview, the 78-year-old Rock & Roll Hall of Famer reveals he was aware of his own vocal talents at an early age.

“I think people who sing know they can from very early on,” he tells Forbes. “I was born with perfect pitch, which most singers have. I used to sing in the church choir when I was 6 or 7 years old. It went from there. I started singing in youth clubs and things like that at the age of 12, and then went on at age 16 to start what became The Who.”

The Who will launch a fall North American leg of its The Who Hits Back! tour on October 2 in Toronto. The trek is mapped out through a November 4-5 stand in Las Vegas. Like with the spring leg of the tour and the band’s previous Moving On! trek, the upcoming concerts will feature The Who accompanied by an orchestra.

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Jeff Beck recently lined up six concerts in the southern U.S. that will feature him supporting ZZ Top, and now the British guitar legend has announced a full North American headlining tour that will immediately follow those dates.

The newly added shows run from an October 1 concert in Atlanta through a November 12 performance in Reno, Nevada. The outing features over 20 dates and includes a pair of two-night engagements — October 7-8 in Port Chester, New York, and October 14-15 in Huntington, New York.

Tickets for the concerts go on sale to the general public this Friday, August 19, while presale tickets will be available starting Tuesday, August 16, at 10 a.m. local time via Ticketmaster.com (password: beck18).

Beck’s upcoming shows are in support of his new collaborative album with actor/rocker Johnny Depp, 18, which was released last month on CD and digital formats. A 180-gram black-vinyl version of the album will follow on September 30.

The 13-track collection features two Depp originals alongside an eclectic selection of covers, including songs by The Beach Boys, late Beach Boys drummer Dennis Wilson, The Miracles, Marvin Gaye, The Velvet Underground and The Everly Brothers.

“We were going to call the album ‘Kitchen Sink’ because we threw everything in it,” Beck explains about 18. “The only game plan we had was to play songs we like and see where they took us.”

Jeff will be accompanied on tour by bassist Rhonda Smith, drummer Anika Nilles and keyboardist Robert Stevenson.

Beck’s series of six dates opening for ZZ Top runs from a September 23 show in Del Valle, Texas, through a September 30 concert in Orange Beach, Alabama. Heart‘s Ann Wilson will be performing at the first three dates.

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As recently reported, CREEM magazine is returning after 33 years out of print, with its first new issue arriving September 15. Now, ABC Audio can exclusively reveal that a separate special David Bowie-themed edition of the mag will be included with every copy of the relaunched CREEM‘s Issue #1 for those who subscribe to the magazine by Wednesday, August 17.

Timed for release one day before the September 16 global premiere of filmmaker Brett Morgen‘s new Bowie documentary Moonage Daydream, the special issue will feature archival articles from CREEM‘s original run and new content focusing on the late rock legend.

The archival pieces include a 1976 article penned by Cameron Crowe title “Space Face Changes the Station,” a Bowie-themed installment of the magazine’s “Star Cars” feature, a “David Bowie Lookalike Contest,” and album reviews from famed rock writers Lester Bangs and Dave Marsh.

The new content includes an interview with Morgen by veteran CREEM journalist and editor Jaan Uhelszki, and acclaimed rock author and former Guitar World editor-in-chief Brad Tolinski‘s reflections on Moonage Daydream. The cover of the issue features a 1973 photo of David wearing the unique flared body suit created by Japanese designer Kansai Yamamoto.

As previously reported, the new CREEM will be available as an oversized subscription-only premium quarterly publication, while digital-only subscriptions also are available.

CREEM Issue #1 will include features on Slash, The Who and new artists like punk act Special Interest, and will boast a cover by legendary artist Raymond Pettibon, whose work includes the covers of albums by Sonic Youth and Black Flag.

Visit CREEM.com to subscribe.

Moonage Daydream, which is the first Bowie documentary officially sanctioned by his estate, is described as “a sublime kaleidoscopic experiential cinematic odyssey that explores Bowie’s creative, spiritual, and philosophical journey.”

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A special tribute concert for longtime Yes drummer Alan White, who died on May 22 at age 72 after a brief illness, will take place on October 2 at the Paramount Theatre in Seattle.

The show will feature members of Yes and of Alan’s solo group White, as well as special guests, performing songs from throughout the drummer’s long career, including renditions of tunes by Yes, John Lennon, George Harrison and more.

The event will be hosted by Alan’s longtime friend, retired U.S. radio personality Bob Rivers, and all proceeds from the show will benefit the WhyHunger charity.

Tickets for the concert will go on sale to the general public this Friday, August 19, at 10 a.m. PT via Ticketmaster.

White was the drummer of yes from 1972 until his death. Prior to joining the famous British prog-rock band, he was a member of Lennon’s Plastic Ono Band, and he played on the 1969 album Live Peace in Toronto, John’s 1970 single “Instant Karma,” Lennon’s landmark 1971 album Imagine and 1972’s Some Time in New York City. Alan also contributed to Harrison’s All Things Must Pass album, including the chart-topping single “My Sweet Lord.”

In other news, another musical tribute to White is being planned for September 10 at the Newcastle Days festival in the Seattle suburb of Newcastle, Washington, where the British-born musician lived for many years up until his death.

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On September 30, Eric Clapton will release The Complete Reprise Studio Albums – Volume I, a vinyl box set featuring remastered versions of his first six studio efforts for the Reprise label.

The 12-LP collection, which can be preordered now, features 1983’s Money and Cigarettes on a single disc, as well as 1985’s Behind the Sun, 1986’s August, 1989’s Journeyman, the 1994 blues-covers project From the Cradle and 1998’s Pilgrim as two-LP sets. The box set also features the Rarities Vol. 1 LP, which includes rare studio and live recordings from the era.

Money and Cigarettes peaked at #13 on the Billboard 200 and featured the top-20 hit “I’ve Got a Rock ‘n’ Roll Heart.”

The Platinum-certified Behind the Sun included “Forever Man,” which reached #26 on the Billboard Hot 100.

August featured “It’s in the Way That You Use It,” which Clapton co-wrote with The Band‘s Robbie Robertson, and the Tina Turner duet “Tearing Us Apart.” Those peaked at #1 and #5, respectively, on Billboard Mainstream Rock Tracks chart.

Journeyman, which was certified two-times Platinum by the RIAA, included two Billboard‘s Mainstream Rock Tracks chart toppers — “Pretending” and “Bad Love.”

From the Cradle topped the Billboard 200 and has sold over 3 million copies in the States.

Pilgrim reached #4 on the Billboard 200 and included the hit “My Father’s Eyes,” which peaked at #16 on the Hot 100.

Rarities features two previously unreleased tracks, a new mix of “Pilgrim” and a cover of Albert King‘s “Born Under a Bad Sign” that’s a From the Cradle outtake. The latter tune is available now as an advance digital track.

A second box set of Clapton’s Reprise studio albums, spanning from 2001 to 2010, will be released in early 2023.

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Former Journey frontman Steve Perry has received a lot of media attention thanks to a pair of remixes of his old band’s 1983 hit “Separate Ways,” which appear on the soundtrack of the latest season of Stranger Things.

During an interview on the Rock Classics Radio show, Apple Hits Music DJ Jenn Marino asked him what song he’d like to hear accompanying his scene if he appeared on an episode of Stranger Things.

While the series is set in the 1980s and usually showcases songs from that era, Perry said he’d want to feature a tune by his favorite 1960s soul singer.

“Well, first of all, I would be driving to school in am … really beautiful GTO, and out of the speakers of the car, I would love to hear some Sam Cooke,” Steve declared. “I mean, you’d have to allow that generation to start to discover that by having one guy in the car, a young-looking Steve Perry … playing ‘Cupid’ or [another Cooke tune].”

Steve then settled on a different song and proceeded to serenade Jenn with a verse from Cooke’s posthumous 1965 single “When a Boy Falls In Love.”

“I mean, that song cripples me,” he added. “It’s so teenage and so true. So that’s my choice.”

Perry also discussed how he wound up collaborating on the second of the two “Separate Ways” remixes for the Stranger Things season 4 soundtrack. He explained that he contacted series creators, the Duffer Brothers, and offered his services after he heard the first remix, which was used in the new season’s first trailer.

“I had not heard [my voice] that naked [on the track] since the day we did it back in the ’80s,” Steve noted, “and I loved it.”

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A pair of archival live albums capturing metal legends Dio performing at the Monsters of Rock festivals in Donington, England, in 1983 and 1987, respectively, will be released September 23 on CD and as limited-edition two-LP vinyl sets.

The CD and two-LP versions of both albums — Dio at Donington ’83 and Dio at Donington ’87 — will come packaged with a 3D lenticular print of the cover art, while the LP sets will feature an exclusive etching on Side D. Standard single-LP editions of both albums will also be available.

Dio at Donington ’83 features the Ronnie James Dio-led band performing in support of its debut album, Holy Diver. The group’s set featured renditions of four songs from Holy Diver, as well as select tunes from Ronnie’s stints with Rainbow and Black Sabbath, including Rainbow’s “Stargazer” and “Man on the Silver Mountain,” and Sabbath’s “Heaven and Hell” and “Children of the Sea.”

Dio’s 1983 lineup featured drummer Vinny Appice, bassist Jimmy Bain, keyboardist Claude Schnell and future Def Leppard guitarist Vivian Campbell.

Dio at Donington ’87 captures the band performing shortly after the release of its Dream Evil album. Dio’s set included three songs from Dream Evil, the title tracks of their Holy Diver and The Last in Line albums, and select Black Sabbath and Rainbow tunes.

Dio’s 1987 lineup featured Appice, Bain, Schnell and guitarist Craig Goldy.

Dio at Donington ’83 and Dio at Donington ’87 can be preordered now. Recordings of the two concerts were previously released together in a single package in 2010.

Here’s the full Dio at Donington ’83 track list:

“Stand Up and Shout”
“Straight Through the Heart”
“Children of the Sea”
“Rainbow in the Dark”
“Holy Diver”
Drum Solo
“Stargazer”
Guitar Solo
“Heaven and Hell”
“Man on the Silver Mountain”
“Starstruck”
“Man on the Silver Mountain (Reprise)”

And here’s the full Dio at Donington ’87 track list:

“Dream Evil”
“Neon Knights”
“Naked in the Rain”
“Rock ‘n’ Roll Children”
“Long Live Rock ‘n’ Roll”
“The Last in Line”
“Children of the Sea”
“Holy Diver”
“Heaven and Hell”
“Man on the Silver Mountain”
“All the Fools Sailed Away”
“The Last in Line (Reprise)”
“Rainbow in the Dark”

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Four years after it was first recorded, Collective Soul‘s new album, Vibrating, has finally arrived.

As frontman Ed Roland tells ABC Audio, the “Shine” rockers had written two albums’ worth of material in between touring at the end of the 2010s and decided to release the second batch as the album Blood in 2019. That first batch, which made up Vibrating, was then set to drop as a companion album soon thereafter. Of course, that was before the COVID-19 pandemic hit.

“The pandemic kinda whacked everybody,” Roland says. “We were gonna release Blood and then, right after that, release Vibrating. So we had to wait a couple years — two or three years — before we could get it out.”

Even if Vibrating was made so long ago, Roland can clearly remember the recording process, which took place live in his home studio with the band “horseshoed” around drummer Johnny Rabb.

“We did no more than five takes on all the songs,” Roland recalls. “I just loved the spontaneity and what the band felt at that moment. It was that simple.”

That spontaneity led to moments like the breakdown in lead single “All Our Pieces,” which spotlight’s Roland singing over just a quiet drum beat.

“I want people to hear the feeling of what I was going through,” Roland shares. “When we were doing it with the band, actually, I think Johnny or [guitarist] Jesse [Triplett] was, like, ‘We need you to just break it down right here. I want people to hear what you’re talking about. Let us get out of your way.'”

Vibrating is out now. Collective Soul’s current U.S. tour in support of the album alongside Switchfoot continues Saturday in Billings, Montana.

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Sammy Hagar was among the many well-known artists who contributed original songs to the soundtrack of the classic teen comedy-drama Fast Times at Ridgemont High, which premiered 40 years ago this Saturday.

Hagar wrote and recorded the movie’s title song, a riff-heavy rock tune that Sammy notes was one of a series a tunes he recorded specifically for films around that time.

“They just would send me the script of the movie, and I would read…through it,” Hagar explains to ABC Audio. “And they didn’t ask me to write the title track. I just wrote a song called ‘Fast Times at Ridgemont High.’ So…lyrically, I just kind of mimicked what was going on in the movie. You know, just a bunch of high school kids messing up…and trying to get laid, basically.”

The Red Rocker says having one of his songs as the title track of a popular movie then felt like he’d hit the “big time.”

Hagar notes that he always enjoyed writing songs for films, explaining, “I loved having a theme. For a songwriter, the first thing you need to have, after you have the [music]…I needed a title, a subject. ‘What am I writing about?’ And when they would hand that to you in a script in a movie…I just said, ‘Oh, yeah. Boom! I know what to do.'”

Meanwhile, Hagar says one of the cool things about his “Fast Times” song was getting to work with a soundtrack musician who was experimenting with synthesizers, and who added an effect that Sammy described as sounding “like a knife being sharpened.”

“It was so advanced [at the time],” Hagar notes. “It was really cool…You know, no one had ever heard anything like that before.”

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