Classic Rock 93.9

The new John Entwistle compilation Rarities Oxhumed – Volume One was released this past Friday.

The 13-track collection features previously unheard studio tracks, demos, live performances and other unreleased gems from the late Who bassist’s solo career.

The compilation was produced by Steve Luongo, drummer of Entwistle’s side project the John Entwistle Band and his main collaborator in the group.

Luongo tells ABC Audio that Entwistle’s “devoted” fans had long asked him if there was any unreleased material in the archives, and, with this year marking the 20th anniversary of John’s death, he felt the time was right to put together a rarities compilation.

Luongo says the studio tracks featured on Rarities Oxhumed include “songs that we either didn’t release on any of the albums or alternate versions of those songs that might have been released, but with different lyrics or a different arrangement.”

Most of the songs on the compilation are alternate versions or mixes of tunes that appeared on Entwistle’s final solo album, 2000’s Music for Van-Pires, which features material recorded for the soundtrack of a late-’90s animated kids show called Van-Pires.

Among those tracks is “Bogey Man,” which actually dates back to the 1970s, and features late Who legend Keith Moon on drums.

Luongo recalls that when Entwistle first played him an early, unfinished version of “Bogey Man,” he realized it would be perfect “for a scary kid show,” and when John told him that Moon was on the track, he convinced Entwistle to find the original multi-track so they could complete it while keeping Keith’s drum parts.

As for the live tracks on the comp, Luongo says they were recorded during the John Entwistle Band’s final trek, which was called 2001: A Bass Odyssey.

Here’s the compilation’s full track list:

“Bogey Man”
“Darker Side of Night”
“I’ll Try Again Today”
“When You See the Light”
“Back on the Road”
“Left for Dead” (Alternate Version)
“I Wouldn’t Sleep with You”
“Don’t Be a Sucker”
“Life Goes On” (Demo)
“Where Ya Going Now” (Demo)
“Trick of the Light” (Live)
“Under a Raging Moon” (Live)
“Shakin’ All Over” (Live)

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What happens when a sharp-dressed Texas blues-rock legend joins forces with a sharp-dressed funk/R&B great? Music fans can find out by checking out “Too Much Girl 4 Me,” a new song featuring ZZ Top‘s Billy Gibbons collaborating with Morris Day of The Time.

The duet begins with a humorous dialogue between Gibbons and Day before kicking into a grooving tune that combines heavy rock and funk.

“Too Much Girl 4 Me” is available now via digital formats. The track will also appear on Day’s upcoming farewell solo album, Last Call, which will be released November 11 and can be preordered now.

Rolling Stone reports the collaboration came about after Day’s manager, Courtney Benson, introduced himself to Gibbons after running into him at the Beverly Hills Hotel.

“Billy got up in the middle of the lounge and did my famous ‘Chili Sauce’ slide across the floor,” Day explained to Rolling Stone in an email. “And [Billy] said, ‘Morris and I have to do something together.'”

Morris then phoned Snoop Dogg and got permission to record at Snoop’s Dogg Pound studio with Gibbons.

Day said that he and Gibbons bonded over their shared love of music, while noting that they both like “doing things out of the box.”

“That’s what I love about the song ‘Too Much Girl 4 Me’: Billy’s production on this is not what you would expect him to do,” Morris said. “He managed to bridge his and my genre together to create this song. I was literally impressed working with him every day. He has a love for my music as well.”

He added, “I believe his favorite song of mine is ‘The Bird,’ and my favorite ZZ Top songs are ‘La Grange’ and, of course, ‘Sharp Dressed Man.'”

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Saturday marks the 20th anniversary of the release of an unlikely hit album: It Had to Be You: The Great American Songbook by Rod Stewart.

The raspy-voiced rocker surprised everyone by recording an entire album of standards including “That Can’t Take That Away From Me,” “The Way You Look Tonight” and “The Nearness of You.” Fans liked what they heard: The album reached number four on the Billboard album chart, becoming his first release to hit the top five since 1978.

In fact, the album was such a hit that it spawned no less than four Songbook sequels, all of which reached the top five. The third installment, 2004’s Stardust, was Rod’s first number one album since 1978’s Blondes Have More Fun, and it even won him his first, and to date only, Grammy.

After volume four of Songbook, Rod released yet another album made up of covers, except this one was rock: 2006’s Still the Same: Great Rock Classics of Our Time. That was followed by Soulbook, another covers album which featured him singing R&B and Motown hits, his final Great American Songbook album, 2010’s Fly Me to the Moon and a 2012 holiday album, Merry Christmas Baby.

Finally, in 2013, Rod, who’d always thought of himself as a songwriter first, released an album of original material: Time. He explained that he’d done all those covers albums because he’d been suffering from writer’s block, but reliving his life story for his 2012 autobiography led him to rediscover his love of songwriting.

Since then, Rod’s released no less than three additional albums of original material, the most recent being 2021’s The Tears of Hercules.

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Queen has debuted a newly created music video for “Face It Alone,” the recently released archival track featuring the late Freddie Mercury that was recorded during the sessions for the band’s 1989 studio album The Miracle.

The clip, which you can watch now on YouTube, features footage and photos of Queen’s members from around the time of the making and release of The Miracle, as well as statuettes of the band; a recreation of Mountain Studios in Montreux, Switzerland, where the album was recorded; and animated segments.

The video was directed by Simon Lupton, who says of the clip, “The intention was to create, despite how the lyrics might be interpreted, an upbeat video that celebrated the fact that the period during which this song was recorded was one of the most prolific and cohesive in the band’s history.”

Lupton adds, “The meaning of the song has been interpreted that when something catastrophic occurs in your life, your instinct is to surround yourself with what is dearest and most important to you.”

“Face It Alone” serves as the lead single from an upcoming expanded reissue of The Miracle, dubbed The Miracle Collector’s Edition, which will be released on November 18. The recording was rediscovered during the process of putting the collection together.

The Miracle Collector’s Edition features five CDs, one vinyl LP, a Blu-ray disc, a DVD and a 76-page hardback book.

“Face It Alone” is one of six previously unreleased songs on the collection, along with “Dog with a Bone,” “I Guess We’re Falling Out,” “You Know You Belong to Me,” “When Love Breaks Up” and “Water.”

You can preorder the The Miracle Collector’s Edition now.

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Joni Mitchell will return to the stage for her first headlining concert in over two decades as part of Brandi Carlile‘s Echoes through the Canyon concerts next year at Washington’s Gorge Amphitheatre on Friday, June 9, and Saturday, June 10.

Friday’s show will feature a headlining set from Carlile and her band, while Mitchell will host one of her “Joni Jams” on Saturday, with Carlile opening. Friday night’s opening act, and the full list of performers for the “Joni Jam,” have yet to be announced.

“No one’s been able to buy a ticket to see Joni Mitchell play in 20 years, so this is enormous,” Carlile said during an appearance on The Daily Show with Trevor Noah on Wednesday. “And she’s so excited because it’s close to Canada and some of her Canadian fans…I can’t believe it’s happening, but it’s happening and she’s going to crush it.”

Mitchell, who has rarely performed in public since suffering a brain aneurysm in 2015, joined Brandi and an all-star cast of musicians and singers — including Wynonna Judd, Marcus Mumford of Mumford and Sons, Dawes‘ Taylor Goldsmith, Lucius, Allison Russell and Shooter Jennings — at this year’s Newport Folk Festival in July.

Carlile helped organize the informal “Joni Jams” with a rotating crew of music A-listers at Mitchell’s home in Los Angeles.

Tickets for this year’s Echoes through the Canyon shows on sale to the public at 10 a.m. on October 28, with presales for Citi card holders available from 10 a.m. on October 25 to 10 p.m. on October 27. Carlile’s Bramily fan club members will have earlier access to presales. Details are available at BrandiCarlile.com/tour.

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The Beatles have just debuted a couple of the previously unheard rarities that will appear as bonus tracks on the forthcoming deluxe reissue of their landmark 1966 album, Revolver.

One track is an acoustic demo of John Lennon singing part of an early version of “Yellow Submarine.” In the 30-second segment, which is subtitled “(Songwriting Work Tape/Part 1),” Lennon softly strums and picks an acoustic guitar while singing, somewhat sadly, “In the place where I was born/ No one cared, no one cared/ And the name that I was born/ No one cared, no one cared/ And the town where was born/ No one cared, no one cared.”

The final version of “Yellow Submarine” features Ringo Starr on lead vocals. It was long believed that Paul McCartney was the tune’s main writer, but the demo suggests that Lennon played a bigger role in its composition.

The second track is an early alternate version of “Got to Get You into My Life,” identified as “(Second Version / Unnumbered Mix).” The rendition is a bit more raw-sounding than the well-known studio version and lacks the song’s signature brass parts while showcasing some fuzzed-out guitar riffs.

Meanwhile, a new animated music video featuring the updated mix of “Taxman” from the Revolver reissue also recently debuted on YouTube.

As previously reported, the deluxe reissue of Revolver will be released on October 28 in multiple configurations.

Among the versions of the reissue is a special edition that features new stereo and Dolby Atmos mixes of Revolver, the original mono mix of the album, 31 tracks of session outtakes, a four-song EP that includes the non-album tracks “Paperback Writer” and “Rain,” and a 100-page hardbound book.

You can preorder the Revolver reissues now.

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Twenty years ago this Saturday, Santana followed up their massively successful 1999 comeback album Supernatural with another chart-topping and collaboration-filled record: Shaman.

Released on October 22, 2002, Shaman debuted at #1 on the Billboard 200. The album featured one major Billboard Hot 100 hit, “The Game of Love,” featuring pop singer/songwriter Michelle Branch, which peaked at #5.

The song, which was co-written by New Radicals frontman Gregg Alexander and hit-making songwriter Rick Nowels, went on to win a Grammy for Best Pop Collaboration with Vocals.

Like Supernatural, Shaman paired guitar legend Carlos Santana with various performers from different genres, including pop/R&B singers Seal and Macy Gray, Chad Kroeger of the rock band Nickelback, nu-metal group P.O.D., pop singer Dido, multicultural rock outfit Ozomatli, roots rocker Citizen Cope, hip-hop artist Melky Jean and opera legend Plácido Domingo.

Kroeger appears on a song titled “Why Don’t You & I” that he wrote. Since Nickelback’s label didn’t want the track to be released as a single, Santana rerecorded the tune with vocals by Alex Band of the group The Calling and issued that version, which ended up reaching #8 on the Hot 100.

Matchbox Twenty‘s Rob Thomas, who co-wrote and sang the Supernatural smash “Smooth,” also lent his songwriting talents to two tracks on Shaman.

Original Santana drummer Michael Shrieve co-wrote and played on a track titled “Aye Aye Aye.”

Shaman has been certified two-times Platinum by the RIAA for sales of 2 million copies in the U.S.

Here’s the full track list of Shaman:

“Adouma”
“Nothing at All” — featuring Musiq (Rob Thomas, Cori Rooney)
“The Game of Love” — featuring Michelle Branch (Gregg Alexander, Rick Nowels)
“You Are My Kind” — featuring Seal (Rob Thomas)
“Amoré (Sexo)” — featuring Macy Gray
“Foo Foo” — featuring Tabou Combo
“Victory Is Won”
“Since Supernatural” — featuring Melky Jean & Governor
“America” — featuring P.O.D.
“Sideways” — featuring Citizen Cope
“Why Don’t You & I” — featuring Chad Kroeger
“Feels Like Fire” — featuring Dido
“Aye Aye Aye”
“Hoy Es Adiós” — featuring Alejandro Lerner
“One of These Days” — featuring Ozomatli
“Novus” — featuring Plácido Domingo

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Sammy Hagar reflects on his life and music career in “Father Time,” and the Red Rocker has just released a music video for the poignant tune. The song is from his latest studio album with his band The Circle, Crazy Times.

Hagar, who celebrated his 75th birthday last week, says he wrote “Father Time” just after he turned 70 while at his former home in Maui, Hawaii, that overlooked the ocean.

“When I first wrote ‘Father Time,’ I kept it from everyone because it was so personal that I’d get too choked up to actually sing it,” he admits. “The words ‘Father Time’s over there looking over my shoulder’ just kept going through my head, so I picked up my guitar and the rest of the song just came spilling out.”

Hagar adds, “I cried my eyes out after I wrote and played it back. It’s probably the most personal song that I’ve ever written and now, after just turning 75, I’m finally ready to release it.”

The video, which you can watch on Hagar’s official YouTube channel, features footage of Sammy and The Circle performing the song, along with a montage of photos and film clips of Hagar throughout his life.

The “Father Time” clip will be the final video released from Crazy Times. The album was released on CD and via digital formats on September 30, while standard black-vinyl and limited-edition red-vinyl LP versions will follow on October 28.

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Graham Nash, Jackson Browne and Linda Ronstadt are featured in a new documentary about obscure 1970s singer/songwriter Judee Sill that will get its world premiere on November 13 in New York City as part of the 2022 DOC NYC festival.

Lost Angel: The Genius of Judee Sill takes an intimate look at life of the Los Angeles-based artist, who was discovered by music mogul David Geffen and released two albums during the early ’70s before withdrawing from the music business and dying of a drug overdose at age 35 in 1979.

The movie also examines Judee’s troubled early life, during which she battled addiction, took part in armed robberies and spent time in prison.

The film features interviews with Nash, Browne, Ronstadt and Geffen, as well as with acclaimed songwriter JD Souther and singer Shawn Colvin, and also includes appearances by various younger artists who discovered Sill’s music after her death.

Nash produced Sill’s first single, “Jesus Was a Cross Maker,” and played organ on the track. The song later was covered by Cass Elliot, The Hollies, Warren Zevon and Ronstadt, among others.

The premiere screening of Lost Angel will take place at SVA Theatre at 8 p.m. ET, and will be followed by a Q&A session featuring directors Andy Brown and Brian Lindstrom, Colvin and producer Peter Kenney.

Tickets to the screening can be purchased at DOCNYC.net. The film also will be available to view via streaming from November 14 at midnight ET through November 27 at 11:59 p.m. ET.

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Megadeth has premiered the next chapter in the ongoing video series accompanying their new album, The Sick, the Dying…and the Dead!

The latest installment is soundtracked by the cut “Life in Hell.” Previous videos in the saga, which tells the origin story of Megadeth’s Vic Rattlehead mascot, include the songs “We’ll Be Back,” “Night Stalkers” feat. Ice-T and the Sick title track.

You can watch the “Life in Hell” video streaming now on YouTube.

Megadeth released The Sick, the Dying…and the Dead! in September. It’s the 16th studio effort from the thrash metallers and the first since 2016’s Dystopia.

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