Queen’s Brian May & Roger Taylor talk ‘Bohemian Rhapsody,’ the band’s future and more

Queen’s Brian May & Roger Taylor talk ‘Bohemian Rhapsody,’ the band’s future and more
Queen on the digital cover for Rolling Stone’s ‘Bohemian Rhapsody’ article/(Courtesy of ‘Rolling Stone’)

Rolling Stone is marking the 50th anniversary of Queen’s iconic song “Bohemian Rhapsody” with a special interview with the band’s Brian May and Roger Taylor. The duo talk about the beginnings of the song, and even touch on what, if anything, Freddie Mercury is singing about.

Regarding their first impressions of the song, Taylor notes, “We thought, ‘Well, this is kind of ridiculous, so let’s go.’ We really enjoyed the silliness of it.” He adds that Mercury wrote “a fairly intense, ruminative song. And then we put all these amazingly daft bits in the middle.”

“So many people have been wondering, ‘What’s the secret meaning?'” he shares. “I’m not sure there is one.”

But the band’s manager, John Reid, doesn’t agree and seems to think Mercury was singing about his sexuality.

“I think that’s the key to it,” Reid says, “and a little bit of self-doubt, and the fact that he could never be that open to his parents.”

Elsewhere in the article, May and Taylor discuss Queen’s future, revealing they’ve tried to make music with current frontman Adam Lambert.

“Nothing really materialized so far,” May tells Rolling Stone. “Some things are meant to be and some things are not.”

But even without new music, Taylor says, “I don’t think we’re done.” He insists they won’t do a farewell tour “’cause it never is, is it?”

And it sounds like Queen’s future may include a Las Vegas residency some day.

“ I’m very keen on the Sphere. It’s got my mind working,” May says. “I sat there watching the Eagles, thinking, ‘We should do this. The stuff that we could bring to this would be stupendous.’ So, yeah, I would like to do it. We’re having conversations.”

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Members of R.E.M., The Black Crowes, Hootie & the Blowfish form supergroup Howl Owl Howl

Members of R.E.M., The Black Crowes, Hootie & the Blowfish form supergroup Howl Owl Howl
(L-R) Howl Owl Howl’s Steve Gorman, Mike Mills and Darius Rucker/(photo by Steven Cohen)

R.E.M.’s Mike MillsThe Black Crowes‘ former drummer Steve Gorman and Hootie & the Blowfish frontman Darius Rucker are joining forces for a new supergroup, Howl Owl Howl.

The group formed in 2021 out of a casual jam session between the three longtime friends, with a press release noting that session turned into “something unique.” As for the sound, Howl Owl Howl “fuses organic roots rock with an open-minded alternative flair, matching a fluid, feel-oriented rhythm section to the barrel-chested vocal rasp of an iconic frontman.”

“It feels great to be singing with a rock band again. It’s like buddies getting together, but also getting to play with your idols,” Rucker says. “The stuff we’re writing is so different than anything I’ve tried to do before.”

Mills adds, “You never can explain band chemistry. We all like each other. And we all admire each other musically. All those things come together and if it weren’t fun, we wouldn’t be doing it.”

Music fans will get their first experience of Howl Owl Howl when the band releases their debut track, “My Cologne,” on Oct. 31.

They are also planning to hit the road for the nine-date Howl Owl Howl tour starting Nov. 3 in Indianapolis. The tour wraps Nov. 15 in Athens, Georgia, which is the birthplace of R.E.M. A complete list of dates can be found at howlowlhowl.com.

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The Rolling Stones reissuing 1976’s ‘Black and Blue’

The Rolling Stones reissuing 1976’s ‘Black and Blue’
Cover of The Rolling Stones’ ‘Black and Blue’/(Interscope/UMe)

The Rolling Stones are revisiting their 1976 album Black and Blue ahead of its 50th anniversary.

The band is set to release a five-LP or four-CD super-deluxe box set on Nov. 14, with both versions also coming with a Blu-ray. The set includes a 2025 remix of the album by producer Steven Wilson, along with an album of outtakes and jams. It also includes a recording of a 1976 concert at Earls Court in London, which was part of a six-night residency at the venue.

The Blu-ray includes the Wilson remix and the Earls Court concert in Dolby Atmos, plus an unreleased TV broadcast of the band’s 1976 concert at Les Abattoirs in Paris.

The six-track album of outtakes include four Stones instrumental jams from the 1975 recording sessions, plus a previously unreleased track, “I Love Ladies,” written by Mick Jagger and Keith Richards. There’s also a take on Shirley & Company’s “Shame Shame, Shame,” which is out now via digital outlets. A video for the track will be released Thursday.

The set also includes a 100-page hardcover book and replica tour poster.

The Black and Blue reissue will also be released in a variety of other formats, including a limited-edition five-LP black and blue marbled vinyl set; two-disc and one-disc formats on both vinyl and CD; and a limited-edition zoetrope vinyl.

Most formats are available for preorder now.

Released in April 1976, Black and Blue was The Stones’ 13th studio album and the first since guitarist Mick Taylor left the group. His eventual replacement, Ronnie Wood, is featured on three songs. The Stones used the recording sessions as auditions for Taylor’s replacement, with other guitarists like Jeff BeckRobert A. Johnson and Wayne Perkins taking part.

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On This Day, Sept. 24, 1979: The Eagles release their sixth studio album ‘The Long Run’

On This Day, Sept. 24, 1979: The Eagles release their sixth studio album ‘The Long Run’

On This Day, Sept. 24, 1979…

The Eagles released their sixth studio album, The Long Run, which hit #1 on the Billboard Albums chart.

The album featured the singles “Heartache Tonight,” which went to #1, as well as the title track and “I Can’t Tell You Why,” which were both top-10 hits.

The Long Run was the Eagles’ first album to feature Timothy B. Schmit, who replaced founding member Randy Meisner, who left the group during their Hotel California tour in 1977. Schmit wrote and sings lead on “I Can’t Tell You Why.”

The album was also the last full album to feature Don Felder, who was fired from the group in 2001.

The Eagles would break up less than a year after the release of The Long Run, although they would reunite in 1994. It took them until 2007 to release a new album, Long Road Out of Eden, which would go on to hit #1.

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Original artwork print for cover of David Bowie’s ‘Aladdin Sane’ going up for auction

Original artwork print for cover of David Bowie’s ‘Aladdin Sane’ going up for auction
Cover of David Bowie’s ‘Aladdin Sane’/(Parlophone)

The original artwork for David Bowie’s iconic album Aladdin Sane, shot by photographer Brian Duffy aka Duffy, is going up for auction.

The original dye transfer artwork print will be part of The Mona Lisa of Pop: The Duffy Archive auction, taking place Oct. 22 through Nov. 5 at Bonhams in London and bonhams.com. The print is expected to sell for somewhere between $340,000 and $400,000.

The cover art is one of many Aladdin Sane-related pieces that will be part of the auction. Others include the original dye transfer print of the album’s inside cover; the original Hasselblad camera used by Duffy to shoot Aladdin Sane and 1980’s Scary Monsters; the stool Bowie sat on for the Aladdin Sane photo; contact sheets from the photo shoot; and a handwritten note by Duffy explaining the cover’s lightning bolt design.

“Duffy’s iconic photography, paired with Bowie’s incomparable artistic vision, captured the spirit of a generation and cemented their place in cultural history,” Claire Tole-Moir, head of Bonhams’ Popular Culture Department, says. “As collaborators, they produced a body of work that defined the visual language of the 1970s and beyond, influencing music, fashion, and photography.”

She adds that the auction “will be a rare and thrilling opportunity for collectors and fans to own a piece of Duffy/Bowie history.”

Aladdin Sane was released in April 1973. The cover featured a red-haired Bowie, with a red-and-blue lightning bolt down the middle of his face.

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Paul McCartney to share behind-the-scenes of February’s New York club shows

Paul McCartney to share behind-the-scenes of February’s New York club shows
Paul McCartney performs live on stage at Paris La Defense Arena during the ‘Got Back!’ Tour on December 04, 2024 in Nanterre, France. (Photo by Kristy Sparow/Getty Images)

Paul McCartney headlined three club shows at New York’s Bowery Ballroom in February, and now he’s giving fans an insiders look at the shows.

The rocker is set to release a new tour diary, Paul McCartney Rocks The Bowery, on Wednesday at 1 p.m. ET on YouTube.

“In February 2025, Paul McCartney took over New York City’s iconic Bowery Ballroom for a surprise and historic three-night run,” reads the description on YouTube. “Find out how it all went down, featuring the fans who were there, the team who pulled it off, and an exclusive behind-the-scenes look with Paul himself.”

Bowery Ballroom was a major underplay for McCartney. The 575-person-capacity venue is certainly much smaller than the stadiums and arenas he usually headlines. The shows were the lead-up to McCartney’s appearance on SNL50: The Anniversary Special, which aired on NBC.

McCartney is getting ready to head back to those bigger venues. He’ll return to the stage with a warm-up show Friday at the Santa Barbara Bowl in Santa Barbara, California, before kicking off the North American leg of his Got Back tour on Sept. 29 in Palm Desert, California. The tour wraps Nov. 25 in Chicago.

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Director says fans will learn ‘new information’ about Bruce Springsteen in ‘Deliver Me From Nowhere’

Director says fans will learn ‘new information’ about Bruce Springsteen in ‘Deliver Me From Nowhere’
Poster for ‘Springsteen: Deliver Me From Nowhere’/20th Century Studios

Scott Cooper, the director of the upcoming Bruce Springsteen film Springsteen: Deliver Me From Nowhere, says fans should expect to learn some new things about The Boss in the movie.

“[Bruce] said to me, ‘Scott, the truth about yourself isn’t always pretty,'” Cooper, who previously directed 2009’s Crazy Heart, tells Empire in a new interview. “We discussed that this was going to be a film so far removed from the mythology of the rock star. The thing that was most important to him was that this would be no hagiography,” meaning he didn’t want an idealized biopic.

“There’ll be things in this film that will be new information to even Bruce’s most ardent fans — not covered in his Broadway show, or in documentaries, or in his memoir,” Cooper tells the mag, noting Springsteen “never once asked me to sand off the rough edges.”

“But would you expect anything else from Bruce Springsteen?” he says. “This man who’s the reluctant moral conscience of America?”

Springsteen: Deliver Me From Nowhere follows the Rock & Roll Hall of Famer as he makes his 1982 solo album Nebraska. It stars The Bear‘s Jeremy Allen White as Springsteen and Succession‘s Jeremy Strong as his manager, Jon Landau. It opens in theaters Oct. 24.

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Pearl Jam’s extra-large Funko figures move to permanent home in band’s Seattle headquarters

Pearl Jam’s extra-large Funko figures move to permanent home in band’s Seattle headquarters
Eddie Vedder performing in concert/ (ABC)

Pearl Jam has welcomed some unique pieces of memorabilia into their headquarters in Seattle.

The Rock & Roll Hall of Famers shared video on Instagram, set to their hit “Jeremy,” showing their extra-large Funko figures being brought into their space. They announced that the band’s headquarters will now be the permanent home for the figures. 

The statues were originally on display at the Museum of Pop Culture in Seattle as part of the Pearl Jam: Home and Away exhibit. They also made “an excursion” to frontman Eddie Vedder’s Ohana Festival in 2021.

And speaking of the Ohana Festival, the annual event in Dana Point, California, is taking place Friday through Sunday, with headliners Eddie Vedder and his band the Earthlings, as well as Green Day and Hozier.

Other artists on the bill include Kings of LeonCage the ElephantWet LegGarbageRainbow Kitten SurpriseKim Deal, Royel Otis and James.

A complete lineup can be found at OhanaFest.com.

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Jon Bon Jovi says it took Richie Sambora ‘years’ to apologize for ‘walking out’ on the band

Jon Bon Jovi says it took Richie Sambora ‘years’ to apologize for ‘walking out’ on the band
Jon Bon Jovi and Richie Sambora perform during the Rock & Roll Hall of Fame Induction Ceremony, April, 2018 (Jeff Kravitz/FilmMagic)

In 2013, Richie Sambora left Bon Jovi in the middle of a tour amid troubles in his personal life. Now, Jon Bon Jovi says he still has a lot of “heartbreak” over the way his bandmate departed.

While speaking to Jelly Roll‘s wife, Bunnie Xo, on her Dumb Blonde podcast, Bunnie asked Jon to describe his relationship with Sambora. “The great thing that I have said about him throughout our lives was you would be lucky to call him your friend, and I mean that,” Jon said. “Talented beyond, beyond as a guitar player, as a singer, as a collaborator, wonderful, right-hand man, awesome. Couldn’t ask for more.”

“My heartbreak with him is the way he walked out on us, compounded by the fact that it took him years to come back in the room just to have a meal with [drummer] Tico [Torres] and [keyboardist] David [Bryan] and I and say, ‘I’m sorry,'” he continued.

“It’s unfortunate. It’s heartbreaking … but if what he wanted was to be just ‘Richie Sambora,’ not a member of Bon Jovi, do it! I always encourage all of my guys, because my attitude was, ‘Bring the information back that you learn outside. It’ll only help us.'”

“And so for whatever reason, he walked out, and then that was that. But I can’t defend or accuse … it’s just not worth it anymore,” Jon added. “It’s been so many years, I just … if you can’t figure [it out] or get it together, then it’s not on us. I love the man; heartbroken that he walked out on us.”

In the 2024 documentary Thank You, Goodnight: The Bon Jovi Story Sambora apologized to the band and to the fans for how he left Bon Jovi.

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Green Day inadvertently helps panicked mom by pulling kid onstage at Riot Fest

Green Day inadvertently helps panicked mom by pulling kid onstage at Riot Fest
Green Day on ‘Good Morning America.’ (ABC/Paula Lobo)

Green Day headlined Riot Fest in Chicago on Sunday, and fan-shot footage shows frontman Billie Joe Armstrong pulling a fan named Argyle onstage to join them for the song “Know Your Enemy.” Well, it turns out the move helped ease the stress of the kid’s mom.

Argyle’s mom, Bobbi Dunn Cantrell, commented on Armstrong’s Instagram photos from the show, which the rocker posted as a screenshot. Cantrell writes that she was in “panic mode” during the concert because she and Argyle had gotten separated.

“I was in panic mode all day because we got separated when I went to the bathroom and couldn’t get back to him,” read the comment. “He parked by the stage around noon and didn’t leave all day.”

She went on to thank Armstrong “for making my amazing kid’s dream come true and for easing my anxiety.”

“As soon as I saw him on stage I screamed ‘OMG THAT’S MY KID!!!!!’” she added. “What an amazing night! I am a new fan forever.”

Green Day has a couple more festivals on their schedule this year. They play Oceans Calling in Ocean City, Maryland, on Friday, and Eddie Vedder’s Ohana Festival in Dana Point, California, on Sunday.

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