Aerosmith released their breakthrough album, Toys in the Attic, which featured future Aerosmith classics “Walk This Way,” “Sweet Emotion” and the album’s title track.
The album was the band’s third studio release, and it peaked at #11 on the Billboard Album chart, their highest charting album at that time.
Toys in the Attic went on to be certified nine-times Platinum by the RIAA.
“Walk this Way” was the second single from the album; it peaked at #10 on the chart in 1977 but saw renewed popularity when it was covered by Run-DMC for their 1986 album, Raising Hell. Aerosmith’s appearance on the cover helped the song hit #4 on the Billboard Hot 100, becoming the first hip-hop single to reach the top five.
Both versions of the song have been inducted into the Grammy Hall of Fame.
KISS recently announced they’ve sold their music catalog, as well as their brand name and likeness rights, to Swedish entertainment company Pophouse. But Gene Simmons wants fans to know this doesn’t mean he and bandmate Paul Stanley will no longer be in control of what happens with the band.
“Nothing is being handed off,” the Rock & Roll Hall of Famer tells ABC Audio. “A mother may give birth to a child, but you never stop being a mother whether the child gets married or not.”He adds, “I’m proud to say that Paul and I have met kindred spirits in Pophouse. Creative dynamic visionaries, really.”
Pophouse is the company behind ABBA’s Voyages hologram show. It will be the company developing KISS’ upcoming avatar show, planned for 2027, and Simmons is confident fans will be blown away by the final product.
“Let me just say that we are at the forefront and are going to be doing things that are already in development, like nothing people have ever seen or heard,” he says. “You won’t believe, I’m telling you, no hype. You won’t believe what’s going to happen.”
And despite KISS saying goodbye to the road in December, Simmons insists there’s still a lot more fans can expect from the band.
“I mean, the end of KISS is the beginning of KISS,” Gene says, noting that embracing all this technology is going to be a big part of keeping the legacy alive for old and new fans.
He explains that the plan is to use artificial intelligence to “control and keep intact our personas,” sharing, “You don’t want the beginning of KISS in this new world to become something unrecognizable to what it originally was.”
Loverboy is giving fans another preview of their upcoming live album, Live in ’82.
The band just released “Lady Of The 80’s,” along with a live video of the track, recorded at the Pacific Coliseum in Vancouver. This is the second track they’ve released from the album, following a live performance of “Turn Me Loose.”
You can listen to “Lady of the 80’s” via digital outlets and watch the video on YouTube.
Live in ‘82 will be released June 7 as limited-edition CD + Blu-ray and LP + DVD sets. The footage has been restored from Loverboy guitarist Paul Dean‘s personal archive of 16mm film.
Loverboy is set to hit the road this summer as a special guest on Sammy Hagar’s The Best of All Worlds tour, which kicks off July 13 in West Palm Beach, Florida. A complete list of Loverboy dates can be found at loverboyband.com.
Mötley Crüe fans have been anxiously awaiting new music ever since the band first teased they were back in the studio last April. Well, now Nikki Sixx has given fans a hint about what to expect, and some are a bit confused.
Sixx took to X, formerly Twitter, to give fans an update on their new tunes, sharing, “New Crüe coming up right around the corner. People who have heard it say it’s a powerful cross between country and hip hop.”
With the word “rock” not in the description, several fans started to question what they were reading, with one commenting, “April fools was the other day Mr Sixx!”
Others came right out and voiced their unhappiness with the reveal. As one noted, “Who is asking for that? I want something that sounds like Motley Crue! If I want county & hip hop I’ll listen to Beyoncé (I won’t).”
In the meantime, Mötley Crüe is set to return to the road in May. They’ll kick things off with a two-night stand in Atlantic City, New Jersey, May 3 and 4. A complete list of dates can be found at motley.com.
Billy Idol has shared another previously unreleased track from his upcoming 40th anniversary deluxe expanded edition of Rebel Yell.
The latest is a demo of “Flesh For Fantasy,” which sounds quite different from the original song on the album. It follows the release of Idol’s previously unreleased cover of Rose Royce’s “Love Don’t Live Here Anymore.”
The Rebel Yell deluxe expanded edition, available for preorder now, will be released digitally, and as a two-LP and two-CD set on April 26. It will include the original album, and an album of previously unreleased songs and demos.
Idol has also just announced dates for a summer Canadian tour. The trek kicks off July 30 in Vancouver and wraps August 25 in St. John’s, Newfoundland. He kicks off a U.S. tour on May 3 in West Palm Beach, Florida. A complete list of Idol shows can be found at billyidol.net.
If you’ve seen Wolfgang Van Halen perform live, you’ve probably seen him thank his dad, the late Eddie Van Halen, by pointing up to the sky. In an interview with People, Wolf shares, “The reason I do what I do is because of my dad.”
“If I didn’t or at least think about him throughout the process, I’d be doing a disservice to my existence,” Wolf says. “So I think it’s very important to establish that to thank my dad every night, every time I’m on stage. Just to thank my father and to know that he’s always there with me every night.”
Wolf also speaks about his relationship with his mother and Eddie’s ex-wife, Valerie Bertinelli.
“A big thing is that she’s the only parent I have, and so I think it’s important to be close to your family and to make that time count because it doesn’t last forever,” Wolf says. “It’s very important to spend every chance you can get with your family.”
“My parents raised me,” he adds. “I wish I could spend more time with my dad, but I can’t, but I can spend time with my mom and it’s the best. She’s the best.”
You can catch Wolf live with his band Mammoth WVH touring the U.S. beginning in May.
INXS frontman Michael Hutchence has been gone for nearly three decades, but his music lives on, and it turns out there’s even more music to enjoy.
A never-before-heard Hutchence solo single, “One Way,” has just been released, put together by his friend and producer/musician Danny Saber from previously unreleased material.
“’One Way’ is the culmination of nearly two decades of work,” Saber shares. “One of the fundamental reasons for releasing this music is to allow the fans to hear Michael’s voice on something new and fresh, offering a glimpse into what might have been, and, in turn, reawakening millions of people who may have simply forgotten about him.”
The unreleased material, including demos and song ideas, was discovered in a locker in London in 2006, with some of that material featured in the 2017 documentary about Hutchence, The Last Rockstar.
“One of the best things for me personally is that through this journey, I have come to a better understanding of what happened to Michael and why,” Saber says. “I want to share that perspective as I really feel Michael’s story has so much relevance and value on so many levels, and along the way, hopefully we can shift the focus to how he lived and not how he died.”
Finally, he notes, “Michael deserves to take his place in the pantheon of great frontmen and finally get the recognition he and the band deserve.”
Hutchence’s band INXS had a string of hits in the mid-’80s to early ’90s, including “Need You Tonight,” their only U.S. #1, “What You Need,” “Never Tear Us Apart,” “New Sensation” and “Suicide Blonde.”
Hutchence was found dead on November 22, 1997. His death was later ruled a suicide. He was 37.
Lenny Kravitz has dropped the video for his latest single “Human,” from his upcoming album, Blue Electric Light.
The clip, directed by Joseph Kahn, kicks off with a bunch of people distracted by their phones, which are later pulled out of their hands and sucked into a large stack of speakers that surround Kravitz’s performance in the middle of the street. The music prompts folks to dance in the streets and even causes them, and the cars around them, to levitate into the air.
Lenny also does a bit of floating in the air and is suddenly shirtless, showing off his chiseled abs.
Blue Electric Light, Lenny’s first album since 2018’s Raise Vibration, is set to drop May 24, two days before the rocker’s 60 birthday. It is available for preorder now.
Kurt Cobain‘s daughter, Frances Bean Cobain, has shared a statement marking the 30th anniversary of her late father’s death.
The statement accompanies an Instagram post featuring a photo R.E.M.‘s Michael Stipe took of the Nirvana frontman’s hands, which Frances’ mother, Courtney Love,previously shared. Frances writes that Kurt’s mother, Wendy, would tell her as a baby, “You have his hands.”
“I wish I could’ve known my Dad,” writes Frances, who was about 20 months old when Kurt died by suicide on April 5, 1994. “I wish I knew the cadence of his voice, how he liked his coffee or the way it felt to be tucked in after a bedtime story. I always wondered if he would’ve caught tadpoles with me during the muggy Washington summers, or if he smelled of Camel Lights & strawberry nesquik (his favorites, I’ve been told).”
“But there is also deep wisdom being on an expedited path to understanding how precious life is,” she continues. “He gifted me a lesson in death that can only come through the LIVED experience of losing someone. It’s the gift of knowing for certain, when we love ourselves & those around us with compassion, with openness, with grace, the more meaningful our time here inherently becomes.”
Frances adds that Kurt wrote a letter to her before she was born, which reads, “Wherever you go or wherever I go, I will always be with you.”
“He kept this promise because he is present in so many ways,” Frances says. “Whether it’s by hearing a song or through the hands we share, in those moments I get to spend a little time with my dad & he feels transcendent.”
If you’re struggling with thoughts of suicide or worried about a friend or loved one, call or text the Suicide & Crisis Lifeline at 988 for free, confidential emotional support 24 hours a day, seven days a week.
We’re getting another preview of the upcoming Tom Petty tribute album, Petty Country: A Country Music Celebration of Tom Petty.
The latest track released is Dolly Parton’s cover of “Southern Accents,” which is accompanied by a music video featuring footage of Petty throughout his life, including some personal home movies.
“I was fortunate enough to get to know Tom over the years,” Dolly shares. “He’s such an iconic artist and important songwriter. I’m so honored to be a part of this special album and to be able to share my version of one of Tom’s best songs, ‘Southern Accents’.”
Petty Country: A Country Music Celebration of Tom Petty will be released June 21, featuring 20 Petty covers from country stars like Parton, Dierks Bentley, whose take on “American Girl” has already been released, Luke Combs, Chris Stapleton, Brothers Osborne, Willie Nelson and more.
The album also features guest appearances by Petty’s Heartbreakers bandmates Mike Campbell and Benmont Tench. Campbell appears on “Ways to Be Wicked,” sung by Margo Price, while Tench appears on “Don’t Come Around Here No More,” also covered by Rhiannon Giddens and Silkroad Ensemble.
Here is the track list for Petty Country: A Country Music Celebration of Tom Petty. It is available for preorder now.
“I Should Have Known It” by Chris Stapleton “Wildflowers” by Thomas Rhett “Runnin’ Down A Dream” by Luke Combs “Southern Accents” by Dolly Parton “Here Comes My Girl” by Justin Moore “American Girl” by Dierks Bentley “Stop Draggin’ My Heart Around” by Lady A “I Forgive It All” by Jamey Johnson “I Won’t Back Down” by Brothers Osbourne “Refugee” by Wynonna Judd & Lainey Wilson “Angel Dream No.2” by Willie Nelson & Lukas Nelson “Learning To Fly” by Eli Young Band “Breakdown” by Ryan Hurd feat. Carly Pearce “Yer So Bad” by Steve Earle “Ways To Be Wicked” by Margo Price feat. Mike Campbell “Mary Jane’s Last Dance” by Midland “Free Fallin’” by The Cadillac Three feat. Breland “I Need To Know” by Marty Stuart And His The Fabulous Superlatives “Don’t Come Around Here No More” by Rhiannon Giddens feat. Silkroad Ensemble and Benmont Tench “You Wreck Me (Live)” by George Strait
